Part 2. The process of archaeology8
Experimental archaeology: Making cordage
Objectives
In their study of experimental archaeology, students will make cordage and use an activity sheet to:
- experience a technique and skill that ancient Native Americans in North Carolina needed for everyday life;
- compute the amount of time and materials that might have been required to make cordage;
- construct a scientific inquiry to study the contents of an archaeological site.
Materials
- For the teacher, one spool of hemp rope about a half inch in diameter; common dogbane (Indian Hemp), milkweed, or thin surface roots of pine; mulberry or poplar bark. If you cannot obtain native plant fibers, purchased string like cotton, raffia, or woolen yarn can be used. Transparency of the “Experimental Archaeology” activity sheet.
- For each student, a copy of “The Tuscarora Tied Their World Together” essay. For each student or team, a copy of the “Experimental Archaeology” activity sheet.
Vocabulary
Bast: fiber from the inner bark of trees.
Cordage: several strands of fiber twisted together; string or rope.
Experimental archaeology: a method of studying ancient artifacts that involves making and using replicas of those artifacts.
Fiber: a slender, threadlike strand.
Hemp: known as common dogbane, one of various plants that have a tough, strong fiber (called sisal) in the stem; the sisal is used to make rope.
Replication: the act or process of reproducing artifacts, structures, or use patterns.
Sinew: an animal tendon prepared for use as a cord or thread.
Technology: the technique or means for making or doing something, often associated with tool making.
Tuscarora: a North Carolina Indian tribe whose traditional territory extended from the western coastal plain to the eastern Piedmont. Their traditional language is Iroquoian. Most modern-day Tuscarora live in New York state. They migrated north after a war with European colonists and allied Indians in 1711–1713. They became the sixth member of the Iroquois Confederacy.
Background
Archaeologists can neither ask ancient peoples how they made their tools nor observe how they manufactured and used artifacts. Thus, archaeologists must find other ways to learn about past technological systems. Experimental replication of artifacts, buildings, and wear patterns is one method. Experiments provide possible interpretations and a basis for further study, but they do not directly prove how artifacts were used or made.
Experimental archaeologists replicate artifacts using techniques that may have been used by past people. These studies help archaeologists understand better the processes that produced the artifacts and buildings found in archaeological sites. They are particularly useful when ancient people left no written records or oral traditions of how things were made.
Replication studies include the reproduction of stone tools, basketry, ceramics, and cordage. By making these artifacts using (hypothesized) past techniques, archaeologists can address questions about how people once lived. Examples include: How long would it take to make a projectile point? Are some raw materials better for stone tool manufacture than others? What kind of clay is the best for pottery vessels and where can it be found? How long would it take to make a small snare or fishing net?
Experimental archaeologists also study how people used artifacts in the past. They do this by using them in ways that produce wear or damage patterns similar to those observed on artifacts. For example, archaeologists have used stone tools to butcher zoo elephants that have died in order to learn how Paleoindians may have butchered mammoths. They examine the wear patterns on stone tools as well as the cut marks on the bones of the butchered animal. The results of their studies are used to make inferences about how Paleoindians living 12,000 years ago may have performed similar tasks.
In this lesson students will become experimental archaeologists and make cordage from native plant fibers or craft items. Cordage artifacts are seldom found in North Carolina sites because the region’s wet, humid climate and acidic soils cause them to decay. However, cordage was an important part of earlier tribes’ technology, and indirect evidence exists for how people used it. For example, some decorated clay pottery by stamping the surface with a small wooden paddle wrapped all over with a tightly spun cord. Others decorated pots by placing finely woven knotted nets over them and striking them with a paddle. Stone net sinkers suggest people used large and small fishing nets. Archaeologists infer cordage also tied together the support beams of houses. It undoubtedly was woven into animal snares, some kinds of bags and baskets, sandals and countless other crafted items. The importance of cordage to daily life is implied in a North Carolina tribal name. Tuscarora means “hemp gatherer,” and Indian hemp (common dogbane) produces tough fibers used for making rope.
Besides using Indian hemp, local Native Americans made cordage from a variety of other materials. The vegetable fibers they used included stinging nettle, cattail, and milkweed. The inner bark (bast) of mulberry, poplar, hickory, and red cedar trees was used, along with human hair, animal hair, and animal sinew. Also, the thin, flexible branches of willow trees, the surface roots of pines and vines like the trumpet vine were used to bind and tie things together. Even though these fibers were weaker or more brittle than spun cordage, they made a strong lashing when wrapped many times and then secured.
Archaeologists infer that finished cordage varied in size from 1 millimeter to several millimeters in diameter—that is, from fine twine to thick rope. The size and thickness may have been determined by the fibers selected and the intended purpose of the finished object. Experimental archaeologists produce cordage to learn how it was made, the characteristics of the finished pieces, and how much time was needed to make these important artifacts.
Setting the stage
- Distribute a piece of two-ply twine about 12 inches long to each student. Ask the students if they can determine how the twine was made.
- The techniques that were used to make many ancient artifacts are not commonly used today. Thus, archaeologists are confronted with problems similar to what the students just experienced with the twine. To better understand how the artifacts were made and used, archaeologists must sometimes learn ancient manufacturing techniques. This often trial and error exercise is called experimental archaeology.
- Share the Background information.
Procedure
- The students read, “The Tuscarora Tied Their World Together.” Briefly discuss the importance of natural resources to the Tuscarora and their ancestors.
- Demonstrate how to make cordage with the commercial hemp fibers (steps 4–8 below). Here are some additional tips on preparing the materials:
- To prepare the fibers, cut the purchased rope into 15-inch sections. Untwist the rope and pull the fibers straight. If using natural fibers, cut year-old (but no older) dead stalks of dogbane or milkweed. Gently pound the dried stalk. Tear it into strips; usually three work well. Beginning at the top, break the inner material by pressing the section between your fingers and strip the outer layer loose. Do this by working down the stalk, breaking and stripping about every inch. Gently roll the strip between your fingers or palms to remove the chaff.
- Obtain strips of mulberry or poplar bark from saplings by notching an incision near the base and pulling the tab up. (Primitive Skills educators who do this say the removal of small pieces will not kill the plants.) Soak the tree bark in water doused with dish detergent for at least a day. Then pull long fibers from the inner bark. If necessary, split the inner strips again into ribbons until they are thin and flexible. The splitting is best done by pulling and bending the thicker side toward you while holding the thinner side straight.
- Another way to obtain bast fibers is to use dead fall from poplar or mulberry. Cut the pieces in lengths and split. Soak the splits in a vat of water with dish detergent for at least a week. When the inner fibers can be stripped away easily, you’ve soaked enough. Beware, though. This is a smelly process. To retain the strips’ flexibility, keep them in water until you are ready to use them. Use these natural fibers in the same way as the purchased rope.
- Divide the class into groups of 4 to 5 students. Give each student about 15 inches of fibers. Assist each group in how to make cordage, asking students who readily learn the procedure to help other students.
- To make cordage, first rub the hemp or natural fibers between both palms to remove debris. Separate two long strands of several fibers each from the 15-inch rope or plant section, starting from one end.
- Hold one end of Strand A and one end of Strand B together, side by side, in your left hand between your forefinger and thumb. (This instruction is for right-handed people; do the opposite if you are left handed.) Pick up Strand A between your right forefinger and thumb, and twirl the strand away from your body (clockwise). This is shown as Step 1 in the illustration below.
- Take the twisted Strand A and bring it toward your body, over and then under Strand B, as shown in Step 2 of the illustration.
- Hold strands A and B between your left forefinger and thumb about where you crossed A over B. Repeat the twirling and crossing sequence: pick up Strand B, twirl it away from your body, and cross it over and under Strand A.
- Continue these steps. The twirling in one direction and crossing in another direction forms an interlocking pattern like that of machine-made rope. If the cordage looks all twisted in the same direction, then the locking twist is not taking place, and usually the strands are being twirled in the wrong direction. (The process of making cordage is difficult to describe, and it sounds more complicated than it really is. Try it; it’s surprisingly easy.)
- Distribute copies of the “Experimental Archaeology” activity sheet to each student or team. Project the “Experimental Archaeology” activity sheet. As a class, work through the first problem. Students complete the remaining problems working individually or in teams.
Closure
- Based on their experience with making cordage and the information in the reading, have students share their impressions of what daily life for Indian people living in North Carolina before Europeans arrived might have been like. In what ways might it have been similar to their own daily lives? In what ways different?
- Tell students that archaeologists have excavated a dry cave site in the Mountains and more than 60 pieces of cordage were found in it. The cordage artifacts were classified and described as follows (write the information on the board):
Category 1
Material type: hemp (or dogbane)
Average thickness: 3 millimeters in diameter
Average length: 105 centimeters
Number of pieces: 38
Category 2
Material type: poplar bark (or mulberry bark)
Average thickness: 6 millimeters
Average length: 32 centimeters
Number of pieces: 22
Use scientific inquiry to study these two types of cordage.
- Research begins with a question. Ask the question: Why is the poplar bark cordage thicker than the hemp cordage? Brainstorm reasons such as: poplar bark is harder to work with, the hemp fibers are thinner.
- Select one hypothesis. For example, hemp fiber is stronger than poplar bark fiber, so it doesn’t need to be as thick as poplar bark cordage to be as strong.
- Test this hypothesis by setting up an experiment to determine the relative strengths of cordage made from the two fibers. If you did not use the natural fibers to make cordage in the classroom, you can use different types of commercial string or yarn to design an experiment. For example, test the difference between cotton string and jute string.
- Unless the hemp cordage is poorly made it should be stronger than the poplar cordage. If the experiment determines that hemp is stronger than poplar, ask the following question: Why is there more hemp cordage than poplar cordage in the archaeological site? (Hemp may have been chosen because of its strength. Availability of the two fibers and the purpose of the artifacts may also have been determining factors.)
Evaluation
- Evaluate students’ efforts to make cordage.
- Have students write a creative story or a report, make a chart, or construct a diorama about living on the western part of the Coastal Plain without modern technology. They need to include five things they would have to know how to do in order to live.
- Evaluate the students’ “Experimental Archaeology” activity sheets.
Extensions
- Discuss how technology changes culture. For example, how would the acquisition through trade of metal tools, such as hoes, pans, and scissors have changed Indian cultures.
- Demonstrate or display cordage in an Archaeology or Culture Fair.
- Invent a modern use for cordage made from native plant fibers.



