K-12 Teaching and Learning From the UNC School of Education

LEARN NC was a program of the University of North Carolina at Chapel Hill School of Education from 1997 – 2013. It provided lesson plans, professional development, and innovative web resources to support teachers, build community, and improve K-12 education in North Carolina. Learn NC is no longer supported by the School of Education – this is a historical archive of their website.

About this illustration

Theodor de Bry
Date created
This work is believed to be in the public domain. Users are advised to make their own copyright assessment and to understand their rights to fair use.
Original image housed by North Carolina Collection / UNC Libraries

Related media

Learn more

In the classroom

  • See our collection of articles on visual literacy for ideas on using photographs meaningfully in the classroom.
Color illustration of two American Indian men facing each other, each holding a bow and arrow.  In the background are numerous other Indian men, aiming bows and arrows at a leaping deer.

Size: 1024×718

Hand-colored version of Theodor de Bry’s engraving of an American Indian man with a bow and arrow. De Bry’s engraving, “A Weroan or Great Lorde of Virginia,” was orginially published as an illustration in Thomas Hariot’s 1588 book A Briefe and True Report of the New Found Land of Virginia.

In the foreground, two Indian men stand facing each other, each holding a bow in his right hand and an arrow in his left. The men are bare-chested and each wears three feathers on his head, a necklace, and a fringed garment around his waist. A container holding arrows is worn at each man’s hips. In the background, several other men are aiming bows and arrows at a leaping deer.

Theodor de Bry was a Flemish-born engraver and publisher who based his illustrations for Hariot’s book on the New World paintings of colonist John White. These depictions of the landscapes and residents of North Carolina provided Europeans with some of their earliest notions of what the North American continent looked like. An unidentified artist applied the color to this version of de Bry’s engraving, apparently without having seen John White’s original watercolor painting, “Indian in Body Paint.”