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A family altar: In Northern and coastal Vietnam: Waterway settlements and Chinese influences, page 17; The merchant house shown here was built about 1790 at Hoi An. The style of the room decorations and the written characters on the pictures at top left indicate the ethnic Chinese background of this merchant family. Beginning hundreds of years ago, merchant...; By Lorraine Aragon.

An ancient Hindu kingdom: In East from India: Cambodia and Southern Vietnam, page 1; This damaged brick and stone Cham tower stands overgrown by vegetation in a rural area south of Hai An, Vietnam. Tall arched forms are characteristic of these monuments built by ethnic Chams between the seventh and twelfth century; By Lorraine Aragon.

Reviving traditional arts: In East from India: Cambodia and Southern Vietnam, page 20; Here, three female palace dancers wearing silk costumes perform in Phnom Penh. The young women dancing in unison have their left feet raised with upward toes, their left arms gesturing forward, and their right hands on their hips. Each one wears a differently-colored,...; By Lorraine Aragon.

The bow of Siva: In The Ramayana, page 1.4; Here, Rama draws an arrow across his bow at a Ramayana dance performance held at Yogyakarta in July 1986. The Rama dancer wears a golden crown and a gold-trimmed red sash across his bare chest. He also wears the "broken sword" pattern batik of Yogyakarta's...; By Lorraine Aragon.

The hunt: In The Ramayana, page 2.8; A Javanese dancer playing Rama pursues another dancer wearing the costume of a golden deer in a performance at Yogyakarta in July 1986. A Javanese dancer wears a golden deer costume in a Ramayana performance at Yogyakarta in July 1986. The dancer's eyes are...; By Lorraine Aragon.

The eagle king: In The Ramayana, page 2.10; A dancer costumed as the eagle king Sadayu stands tall and flaps his wings in a performance at Yogyakarta in July 1986. The dancer's feathered costume is a textured blue fabric with a painted wooden head and gold crown. The carved bird head has wide round...; By Lorraine Aragon.

Ravana tempts Sita: In The Ramayana, page 2.13; The demon king Ravana visits the captured Princess Sita in a wooden puppet theater performance at Yogyakarta in July 1986. The Ravana puppet, here painted with red skin unlike his green-skinned counterpart in Thai mural art, waves a powerful sword at Princess...; By Lorraine Aragon.

Hanuman finds Sita in the forest: In The Ramayana, page 3.6; The monkey god Hanuman finds Sita and a female companion in this modern Balinese painting photographed at Denpasar, Bali, in August 1986. All the characters are dressed in flowing Balinese-style royal clothes and crowns. Flowers, over-sized butterflies, and...; By Lorraine Aragon.

Hanuman and the demon king: In The Ramayana, page 3.9; Hanuman and Ravana puppets face each other in battle at a July 1986 performance in Yogyakarta. The white Hanuman puppet on the left wears a royal Yogyakarta-style batik sarong while the Ravana puppet, with a moustache and red skin, is dressed in red. The faces...; By Lorraine Aragon.

Hanuman's revenge: In The Ramayana, page 3.11; Hanuman burns Ravana's city in a danced stage performance at held at Prambanan Temple in Java in July 1986. To enact Hanuman's burning of Ravana's city in performance, a bonfire was built behind a columned fence on a stone promontory near the Prabanan temple....; By Lorraine Aragon.

Hanuman courts Ravana's neice: In The Ramayana, page 4.5; A masked dancer wearing a monkey costume performs in a Hindu temple courtyard in Batubulan Village, Bali, during August 1986. The kneeling dancer wears a brown and black monkey head mask with long dark hair attached. His costume includes a spotted grey jumpsuit...; By Lorraine Aragon.

A bridge of stone: In The Ramayana, page 4.8; A carved stone stele at Prambanan Temple shows monkeys helping Rama by bringing stones for the bridge he wants to build to Ravana's demon island of Lanka. Realistically portrayed, the naked monkeys in this carved bas relief walk together in line carrying rounded...; By Lorraine Aragon.

Hanuman charms Ravana's mermaid daughter: In The Ramayana, page 4.12; A red-toned modern Balinese painting depicts Hanuman courting Ravana's mermaid daughter. Swooping above moonlit waves and an open-mouthed fish in the sea, Hanuman carries the beautiful mermaid in his outstretched arms. Hanuman's and the mermaid's faces are...; By Lorraine Aragon.

Sita and Rama are reunited: In The Ramayana, page 6.10; Sita and Rama dance together close to the floor at a performance in Yogyakarta in July 1986. Sita's left hand is flexed back and upward, resting on her left knee. Sita is in front, gazing sharply to the side with her bent legs hidden by her sarong skirt. Rama...; By Lorraine Aragon.

Rama's jealousy: In The Ramayana, page 7.1; A stone stele at Prambanan Temple shows Sita sitting and talking with a monkey. Realistically portrayed, the monkey at left in this carved bas relief sits cross-legged and gestures his hands forward with the palms turned up. Sita also sits cross-legged facing...; By Lorraine Aragon.

Sita agrees to return: In The Ramayana, page 7.13; Rama and Hanuman go into the forest to meet Sita, as shown at a wood puppet performance in Yogyakarta during July 1986. The white Hanuman puppet on the right wears a royal Yogyakarta-style batik sarong while the Rama and Sita puppets are dressed in similar...; By Lorraine Aragon.

Interior of wealthy merchant house built about 1790 at Hoi An: A merchant house built about 1790 at Hoi An displays carved chairs, ceramics, and an ancestral altar. On the left is an altar dedicated to local gods and ancestors. A small ancestral portrait is slightly visible at the rear of the altar. On the right are two...; Format: image/photograph

Cham tower overgrown by vegetation south of Hai An: A damaged brick and stone Cham tower stands overgrown by vegetation in a rural area south of Hai An. Tall arched forms are characteristic of these monuments built by ethnic Chams between the seventh and twelfth century A.D. Maritime trade between India and...; Format: image/photograph

Cham tower with repair scaffolding in Po Nagar complex at Nha Trang: Scaffolds allowing workers to climb and make repairs are seen at the right and left sides of one of the main Cham towers in the Po Nagar complex at Nha Trang. Tall arched forms are characteristic of these monuments built of brick and stone by ethnic Chams...; Format: image/photograph

Cham tower seen through an archway in Po Nagar complex at Nha Trang: A Cham tower with ascending smaller levels and rounded corner towers is seen through an archway in the Po Nagar complex at Nha Trang. Tall arched forms are characteristic of these monuments built of brick and stone by ethnic Chams between the seventh and twelfth...; Format: image/photograph

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LEARN NC, a program of the University of North Carolina at Chapel Hill School of Education, finds the most innovative and successful practices in K–12 education and makes them available to the teachers and students of North Carolina — and the world.