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The Mexican Day of the Dead: In The Changing Face of Mexico, page 1.1; Slideshow View a slideshow of photographs from Day of the Dead celebrations in Mexico and the United States....; Format: article

Conventions: In The five features of effective writing, page 6; Conventions — grammar, spelling, and the like — are important to good writing, but should be taught only after the other Features of Effective Writing.; By Kathleen Cali.

The birth of Sita: In The Ramayana, page 1.3; A painted mural at the Emerald Buddha Temple shows the infant Sita sitting in a gold urn as she is discovered by a king ploughing his fields. Beside Sita's urn, which protrudes from the ground, we see the king holding a wooden plough harnessed to an ox. The...

The demon king: In The Ramayana, page 2.5; Ravana sits on a palace platform with two of his wives, as seen on a mural at the Emerald Buddha Temple. Ravana has one arm around each wife's neck. The wives both have their right hands held to their faces, as if in grief. Another demon, perhaps a relative...; By Lorraine Aragon.

Ravana plots Sita's abduction: In The Ramayana, page 2.6; This detail on a painted mural at the Emerald Buddha Temple depicts the demon king Ravana siting on a royal pavillion platform and gesturing with twenty arms (ten emerging from each shoulder). Ravana is speaking to another blue-faced demon partially seen at...; By Lorraine Aragon.

A golden deer: In The Ramayana, page 2.7; A two image sequence on a mural painted at the Emerald Buddha Temple depicts a demon's intentional transformation into a deer. In the top image, his legs have turned into those of a golden deer. In the lower image, the demon is fully changed into the deer....; By Lorraine Aragon.

Ravana kidnaps Sita: In The Ramayana, page 2.9; This Indian painting shows Ravana at left posing as an elderly hermit with Sita and then, at right, in his original mult-headed form, abducting her in his chariot. Sita is depicted wearing an orange Indian sari and she stands outside a very modest thatch dwelling...; By Lorraine Aragon.

The hunt: In The Ramayana, page 2.8; A Javanese dancer playing Rama pursues another dancer wearing the costume of a golden deer in a performance at Yogyakarta in July 1986. A Javanese dancer wears a golden deer costume in a Ramayana performance at Yogyakarta in July 1986. The dancer's eyes are...; By Lorraine Aragon.

Sadayu attacks Ravana's chariot: In The Ramayana, page 2.11; A twenty-armed and ten-headed demon king Ravana fights the eagle king Sadayu in a detail from an Indian Ramayana painting. Sadayu on the left is trying to pick out one of Ravana's eyes from one of his ten heads, while Ravana is using his twenty arms to wave...; By Lorraine Aragon.

Ravana tempts Sita: In The Ramayana, page 2.13; The demon king Ravana visits the captured Princess Sita in a wooden puppet theater performance at Yogyakarta in July 1986. The Ravana puppet, here painted with red skin unlike his green-skinned counterpart in Thai mural art, waves a powerful sword at Princess...; By Lorraine Aragon.

A demon army attacks Rama: In The Ramayana, page 2.14; Standing gracefully on one foot, Prince Rama (at left) shoots an arrow at a group of demons sent by Ravana, as painted on a mural at the Emerald Buddha Temple. The demons, depicted in varied animal-like forms, crowd around their elephant mount.; By Lorraine Aragon.

Hanuman tricks a demon guard: In The Ramayana, page 3.4; On the Ramayana mural at the Emerald Buddha Temple, a detail shows the monkey god Hanuman entering a demon guardian's mouth as he attempts to cross the sea to Lanka. The demon is ornamented on the mural with gold leaf paint.; By Lorraine Aragon.

Hanuman searches for Sita: In The Ramayana, page 3.5; Sequential images of Hanuman looking for Sita in the demon Ravana's palace are seen on a Ramayana mural at the Emerald Buddha Temple. The two adjacent images illustrate how framed space is used to indicate time lapses in Thai temple mural paintings. Hanuman,...; By Lorraine Aragon.

The battle continues: In The Ramayana, page 3.8; This detail of a mural at the Emerald Buddha Temple, where Hanuman descends lithely down poles beside a circular well to seize the guards, shows how the powerful and clever monkey god can single-handedly defeat the hapless demons who defend Ravana's palace....; By Lorraine Aragon.

Ravana's dream: In The Ramayana, page 4.1; In this mural detail at the Emerald Buddha Temple, the demon king Ravana has his dream interpreted by his younger brother Bhibek, the royal astrologer. Ravana is shown here seated on a raised cushion in golden attire, waving his ten arms, while his brother...; By Lorraine Aragon.

Rama and Laksman find the dead Sita: In The Ramayana, page 4.4; In this mural detail at the Emerald Buddha Temple, Rama (with green skin), his younger brother Laksman, and Ravana's niece posing as the dead Sita all are are wearing royal Siamese clothes and tall pointed crowns painted with gold leaf paint. The fake Sita's...; By Lorraine Aragon.

A new plot: In The Ramayana, page 4.2; In this Emerald Buddha Temple mural scene, the demon king Ravana instructs his niece to imitate Sita's appearance and behavior. Ravana speaks and gestures his instructions from a high palace veranda to his young and beautiful niece who sits respectfully on...; By Lorraine Aragon.

Playing dead: In The Ramayana, page 4.3; Floating on her back extended in the water, Ravana's niece pretends to be the dead Sita, as seen in a painted mural detail at the Emerald Buddha Temple. The niece is dressed in royal Siamese clothes and a tall crown, all painted in gold leaf paint. Tall rocks...; By Lorraine Aragon.

Fish and mermaids destroy the bridge: In The Ramayana, page 4.10; This mural detail from the Emerald Buddha Temple shows large fish and mermaids moving through cresting ocean waves to carry stones away from Rama's bridge. At right a merman and mermaid couple carry large stones held high over their shoulders and behind their...; By Lorraine Aragon.

Hanuman fights a sea dragon: In The Ramayana, page 4.11; Hanuman fights a sea dragon taking a stone from the bridge, as seen on a mural at the Emerald Buddha Temple. Hanuman stands with one foot in the dragon's mouth as he pulls his upper jaw open to release the stone that the dragon has taken from Rama's bridge...; By Lorraine Aragon.

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LEARN NC, a program of the University of North Carolina at Chapel Hill School of Education, finds the most innovative and successful practices in K–12 education and makes them available to the teachers and students of North Carolina — and the world.