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Reviving traditional arts: In East from India: Cambodia and Southern Vietnam, page 20; Here, three female palace dancers wearing silk costumes perform in Phnom Penh. The young women dancing in unison have their left feet raised with upward toes, their left arms gesturing forward, and their right hands on their hips. Each one wears a differently-colored,...; By Lorraine Aragon.

Rama, Sita, and Laksman leave the palace: In The Ramayana, page 2.1; On this mural detail at the Emerald Buddha Temple, Sita, Rama, and Laksman depart the palace in Ayudhya for fourteen years of forest exile. Here they are shown with Sita's skin painted white on the left, Rama's painted green in the middle, and Laksman's painted...; By Lorraine Aragon.

The birth of Sita: In The Ramayana, page 1.3; A painted mural at the Emerald Buddha Temple shows the infant Sita sitting in a gold urn as she is discovered by a king ploughing his fields. Beside Sita's urn, which protrudes from the ground, we see the king holding a wooden plough harnessed to an ox. The...

Sita's hand in marriage: In The Ramayana, page 1.5; Rama and Sita ask for her parents' consent to marry in this detail image on a Ramayana mural at the Emerald Buddha Temple. Rama and Sita sit together on a low cushioned platform with their hands in the respectful wai or Thai prayer position....; By Lorraine Aragon.

A royal bath: In The Ramayana, page 1.7; Sita is shown taking a royal bath before her wedding to Rama in a mural at the Emerald Buddha Temple. Sita bathes sitting on the edge of an elegant platform shelter extending into a large tiled pool. Two women servants pour water from a gold basin over Sita...; By Lorraine Aragon.

The marriage of Rama and Sita: In The Ramayana, page 1.8; A royal pavilion scene on a mural at the Emerald Buddha Temple shows the wedding of Sita and Rama. On the central platform, Sita sits at the left and Rama at the right of a tall footed dish, designed to represent ceremonial foods on a mound of rice. Rama,...; By Lorraine Aragon.

Rama is exiled: In The Ramayana, page 1.11; This mural painting from the Emerald Buddha Temple shows Rama bidding farewell to people at his father's palace in the kingdom of Ayudhya. Rama, whose skin is painted green, stands in golden royal clothes on a pavillion platform at the center. Subjects kneel...; By Lorraine Aragon.

The demon king: In The Ramayana, page 2.5; Ravana sits on a palace platform with two of his wives, as seen on a mural at the Emerald Buddha Temple. Ravana has one arm around each wife's neck. The wives both have their right hands held to their faces, as if in grief. Another demon, perhaps a relative...; By Lorraine Aragon.

Ravana plots Sita's abduction: In The Ramayana, page 2.6; This detail on a painted mural at the Emerald Buddha Temple depicts the demon king Ravana siting on a royal pavillion platform and gesturing with twenty arms (ten emerging from each shoulder). Ravana is speaking to another blue-faced demon partially seen at...; By Lorraine Aragon.

A golden deer: In The Ramayana, page 2.7; A two image sequence on a mural painted at the Emerald Buddha Temple depicts a demon's intentional transformation into a deer. In the top image, his legs have turned into those of a golden deer. In the lower image, the demon is fully changed into the deer....; By Lorraine Aragon.

Ravana sets Hanuman on fire: In The Ramayana, page 3.10; In this mural detail at the Emerald Buddha Temple, Ravana dressed in royal Siamese apparel descends the stairs of his palace thrusting a fiery torch towards Hanuman. Hanuman sits on the tile floor at left, confined and bound with oil-soaked cotton rope. Another...; By Lorraine Aragon.

Fleeing the city: In The Ramayana, page 3.12; Crowds of people flee out a gate from the white wall around Ravana's burning city on this mural detail at the Emerald Buddha Temple. These figures, mostly men, are painted in commoners' wrapped sarongs or loincloths and they have a wide variety of skin colors...; By Lorraine Aragon.

Quenching the demon's fire: In The Ramayana, page 3.13; In this mural scene painted at the Emerald Buddha Temple, a wise hermit tells Hanuman how to quench the fire on his tail. Hanuman kneels on a red tiled floor holding up his tail in distress. A bearded hermit listens, dressed in golden clothes as he sits in...; By Lorraine Aragon.

Ravana's dream: In The Ramayana, page 4.1; In this mural detail at the Emerald Buddha Temple, the demon king Ravana has his dream interpreted by his younger brother Bhibek, the royal astrologer. Ravana is shown here seated on a raised cushion in golden attire, waving his ten arms, while his brother...; By Lorraine Aragon.

A new plot: In The Ramayana, page 4.2; In this Emerald Buddha Temple mural scene, the demon king Ravana instructs his niece to imitate Sita's appearance and behavior. Ravana speaks and gestures his instructions from a high palace veranda to his young and beautiful niece who sits respectfully on...; By Lorraine Aragon.

A giant demon: In The Ramayana, page 4.15; The demon dressed in royal gold Siamese clothes plants his left foot and left hand powerfully on a stone gateway and wooden door to push them into the walled compound. The demon wears a tall headdress, sarong, and jewelry painted in gold leaf, and he holds...; By Lorraine Aragon.

Ravana prepares a poison spear: In The Ramayana, page 5.1; Dressed in royal gold attire, the demon king Ravana sits in a luxurious crimson and blue T-shaped pavillion as he prepares a poisoned spear to fight Rama's army. Bowls of food and drink sit nearby for Ravana's comfort. Below the platform walking on the right...; By Lorraine Aragon.

A demon giant blocks the way: In The Ramayana, page 5.5; A demon giant, seen lying beyond Rama's pavilions, blocks the river's water with his body. The fanged demon lies on his side on the ground while holding his huge sword in his right hand. Rama's group is visible in the foreground as they wait in a Siamese-style...; By Lorraine Aragon.

Hanuman learns Ravana's secret: In The Ramayana, page 6.4; Within an elevated pavillion, adorned with gold leaf, Hanuman kneels at the feet of a crowned demon. The demon gestures forward with his extended left arm, telling Hanuman how to proceed. Readers of the Harry Potter books will recognize a parallel plot device...; By Lorraine Aragon.

Rama and Sita are crowned: In The Ramayana, page 6.14; In this mural detail from the Emerald Buddha Temple, Rama and Sita sit separately on high columned platforms back in their royal pavillion at Ayudhya. Large gold chalices are set in front of Rama on a blue platform. Below the platforms on a tiled floor, monkey...; By Lorraine Aragon.

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LEARN NC, a program of the University of North Carolina at Chapel Hill School of Education, finds the most innovative and successful practices in K–12 education and makes them available to the teachers and students of North Carolina — and the world.