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Rama is exiled: In The Ramayana, page 1.11; This mural painting from the Emerald Buddha Temple shows Rama bidding farewell to people at his father's palace in the kingdom of Ayudhya. Rama, whose skin is painted green, stands in golden royal clothes on a pavillion platform at the center. Subjects kneel...; By Lorraine Aragon.

Rama and Sita are crowned: In The Ramayana, page 6.14; In this mural detail from the Emerald Buddha Temple, Rama and Sita sit separately on high columned platforms back in their royal pavillion at Ayudhya. Large gold chalices are set in front of Rama on a blue platform. Below the platforms on a tiled floor, monkey...; By Lorraine Aragon.

Rama learns that Sita is alive: In The Ramayana, page 7.12; The story of Sita's son is told to Rama at the palace, as portrayed in a mural detail at the Emerald Buddha Temple. Rama sits elevated on his palace veranda listening to Laksman and his other courtiers tell the story of how they only pretended to kill the...; By Lorraine Aragon.

Hanuman is rewarded: In The Ramayana, page 6.15; Late at night, Rama sits on an outdoor palace platform with his brother Laksman perching nearby to look over the scene. Hanuman kneels below Rama with clasped hands. The allied monkey kings sit at Hanuman's side inside a walled palace fence. The clothes and...; By Lorraine Aragon.

Hanuman meets Rama: In The Ramayana, page 3.2; The monkey god Hanuman climbing in a tree recognizes Rama and Laksman resting below, as seen on a mural at the Emerald Buddha Temple. In this scene, Hanuman looks just like a small white monkey, wearing a loincloth and no crown. Rama and Laksman wear golden...; By Lorraine Aragon.

Rama in the demon world: In The Ramayana, page 6.1; Hanuman rescues and carries the unconscious Rama. This Emerald Buddha Temple mural image shows two sequential events painted within the same rocky outdoor landscape. At left, Hanuman finds Rama lying unconscious within a black wire cage. Hanuman balances on...; By Lorraine Aragon.

Rama calls to Garuda for aid: In The Ramayana, page 5.10; As Rama's monkey troops lie struggling on the ground with serpents at left, Rama stands on one foot and gracefully releases an arrow signal into the sky. The arrow calls his ally, the Garuda King, a bird deity seen in the upper right above a scenic forest...; By Lorraine Aragon.

Hanuman protects Rama and Laksman: In The Ramayana, page 4.17; Hanuman enlarges himself to cover a pavillion to protect Rama, as seen on a mural at the Emerald Buddha Temple. In this image, Hanuman's huge head and paws encompass the Siamese style pavillion where Rama, Laksman, and their guards are sleeping. The columns,...; By Lorraine Aragon.

Rama's regret: In The Ramayana, page 7.9; Rama sits on a riverbank with four women, trying to forget Sita, as portrayed on a mural at the Emerald Buddha Temple. Rama sits at the corner of a riverbank, holding a piece of food in his right hand and gazing out at the water. A young and beautiful woman...; By Lorraine Aragon.

Sita's ring: In The Ramayana, page 2.12; After battling Ravana, the wounded eagle king Sadayu flies into the forest and delivers Sita's ring to Rama and Laksman, as shown on this mural at the Emerald Buddha Temple. Rama and Laksman walk side by side in their customary gold crowns and royal clothes...; By Lorraine Aragon.

A demon army attacks Rama: In The Ramayana, page 2.14; Standing gracefully on one foot, Prince Rama (at left) shoots an arrow at a group of demons sent by Ravana, as painted on a mural at the Emerald Buddha Temple. The demons, depicted in varied animal-like forms, crowd around their elephant mount.; By Lorraine Aragon.

Ravana seems invincible: In The Ramayana, page 6.3; An Indian painting shows Rama shooting arrows in battle with Ravana's demons. On a bright yellow background, the painting shows Rama with dark blue skin stepping forward and shooting a volley of arrows with a drawn bow. He is wearing only a tunic skirt and...; By Lorraine Aragon.

Sita's hand in marriage: In The Ramayana, page 1.5; Rama and Sita ask for her parents' consent to marry in this detail image on a Ramayana mural at the Emerald Buddha Temple. Rama and Sita sit together on a low cushioned platform with their hands in the respectful wai or Thai prayer position....; By Lorraine Aragon.

A procession: In The Ramayana, page 2.2; A mural painting at the Emerald Buddha Temple shows Rama, his wife Sita, and his brother Laksman as they are leaving with a procession to go to the forest. Laksman appears on the left, Sita in the sedan chair in the middle, and Rama with his characteristic...; By Lorraine Aragon.

Rama, Sita, and Laksman leave the palace: In The Ramayana, page 2.1; On this mural detail at the Emerald Buddha Temple, Sita, Rama, and Laksman depart the palace in Ayudhya for fourteen years of forest exile. Here they are shown with Sita's skin painted white on the left, Rama's painted green in the middle, and Laksman's painted...; By Lorraine Aragon.

Sita and Rama are reunited: In The Ramayana, page 6.10; Sita and Rama dance together close to the floor at a performance in Yogyakarta in July 1986. Sita's left hand is flexed back and upward, resting on her left knee. Sita is in front, gazing sharply to the side with her bent legs hidden by her sarong skirt. Rama...; By Lorraine Aragon.

Rama and Laksman find the dead Sita: In The Ramayana, page 4.4; In this mural detail at the Emerald Buddha Temple, Rama (with green skin), his younger brother Laksman, and Ravana's niece posing as the dead Sita all are are wearing royal Siamese clothes and tall pointed crowns painted with gold leaf paint. The fake Sita's...; By Lorraine Aragon.

The bow of Siva: In The Ramayana, page 1.4; Here, Rama draws an arrow across his bow at a Ramayana dance performance held at Yogyakarta in July 1986. The Rama dancer wears a golden crown and a gold-trimmed red sash across his bare chest. He also wears the "broken sword" pattern batik of Yogyakarta's...; By Lorraine Aragon.

About this slideshow: The version of the Ramayana told in this slideshow is not a literal or complete retelling of any single classical or modern version of the epic. It is based primarily on the Ramakien, the Ramayana as rewritten by Rama I and Rama II of...

The God of Justice: In The Ramayana, page 6.1; The God of Justice, Maleevaraj, mediates between Rama and Ravana, as seen on a mural at the Emerald Buddha Temple. Rama, and Sita wearing royal Siamese clothes, sit in the forest on mats with their hands in respectful prayer position. On another mat, Rama's...; By Lorraine Aragon.

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LEARN NC, a program of the University of North Carolina at Chapel Hill School of Education, finds the most innovative and successful practices in K–12 education and makes them available to the teachers and students of North Carolina — and the world.